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Tuesday, October 16, 2012

Present and future


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Dhoni is the best

Sachin : "I had Played Under Many
Captain, But Dhoni is the One Who
fulfilled my Dreams."
Ganguly : "Dhoni is the Best
Captain India Ever had.."
Dravid : "MSD is Really Awesome in
Each and Every Formats, 0-8 is not
Gonna hurt or stop his Ability."
Gilchrist : "MSD is not the 2nd Gilly,
He is the 1st Dhoni."
Faf DuPlesis : "Very much
impressed with the way Dhoni
Leading the Boys."
Bravo : "Lucky to play Under Such
Captain."
Misbah : "I don't know how Dhoni
handling Such Pressure
Condition."
Shahid Afridi : "Dhoni was a junior
player when he became captain
(in 2007) but with his
performances, he established his
authority on the seniors. I am not
a junior, but I want to lead from
the front like him."
Sanath Jayasuriya : “India is lucky
to have a Captain like DHONI. I am
a big fan of him.”

Monday, October 15, 2012

Sanjay Dutt to shoot in 60 locations of Mumbai

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Sanjay Dutt has done some very dangerous things in real and reel life. But his real-time real-location cops' action scenes for Rensil D'Silva's Unglee, beats them all.

Dutt would not only be shooting in some of the most crowded areas of Mumbai, he would also be chasing down his opponents and hammering his adversaries to a pulp right there in the heart of Mumbai. All this without organized crowds of junior artistes surrounding Dutt.

Security would be a distance away, far from camera range.

From October 16, Sanjay Dutt starts shooting for Rensil D'Silva's Unglee where Dutt once again plays a cop. This is Dutt's fourth cops' role in a row after Ram Gopal Varma's Department, Vinod Bachchan's Zilla Ghaziabad and the Hindi remake of the Telugu hit Samy.

The tough part of keeping Dutt's part in Unglee apart from the dozens of cops' films the actor has done in his career, was to be taken care of through rehearsals and workshops. Alas, there was no time to let the actor prepare. And Dutt starts shooting for Unglee from October 16 on the streets of Mumbai without space for preparation.

Defending his actors' lack of preparation, director Rensil D'Silva says, "Whether it's Sanjay Dutt or Emraan Hashmi, these are thoroughly professional actors. Give them their lines and they'd know what to do within no time. I have been working on the script for a while now. One of the reasons why I took time to start Unglee was because I wanted to know my characters better than anyone else on location. The other reason was Student Of The Year. I was writing Karan Johar's film simultaneously with my own Unglee."

Rensil admits there was no time for rehearsals. "This is a very realistic film. It's an ensemble cast. I want every actor who stands in a frame to be sharply etched. Yes, Sanjay Dutt has played the cop many times before. But never one of this nature. As far as rehearsals go, both Sanjay Dutt and Emraan Hashmi have been pretty busy."

The film will be shot in 60 different locations in Mumbai. Dutt, we hear, would have to be part of real crowd scenes.

Says a source, "The outdoor chase and fight sequences would not be shot in the presence of junior artistes playing mobs and crowds. Dutt would have to fight his way through a gauntlet of authentic bystanders while enacting the action scenes. This is a potentially dangerous situation for an actor of Dutt's image. It's about creating maara-maari (violence) on the streets. And that's dangerous."

Rensil has ruled out shooting the film in a studio since Dutt's previous cop act in the Hindi remake of Samy is being shot in a studio.

"There are no studio shots in Unglee. It's all going to be done on real locations. God knows we've gone through hell to get permission for all the locations. But we've managed," says Rensil.

Police complaint lodged against KLPD makers

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The makers of the Vivek-Mallika starrer must be cursing their fate for having named the film KLPD (which stood for Kismet Love Paisa Dilli), whereas the 'actual' abbreviation is quite known to one and all. Even though the film did not live upto the expectations, it really lived upto the well-known abbreviation of 'KLPD'. If the B.O. fiasco wasn't enough, the film's presenter Raju Shah has alleged that producers Amit Chandrra and Kishan Chaudhary have failed to pay him the dues that included a principal amount and an additional interest of 12 per cent.

On October 11, YT Entertainment (who presented KLPD) filed a police complaint against Chandrra and Chaudhary alleging that the producers owed their company a minimum of Rs. 2.6 crore. Speaking about this, Raju Shah (of YT Entertainment) said that they had no alternative but to take the legal route. He added that he was the Negative Right holder (the presenter); he had funded the film with Rs 3.6 crore and for which he was supposed to get 12 per cent interest on his principal amount around the time of the film's release. He added when the cheques given to him bounced, he tried calling Chandraa and Chaudhary, which yielded no results. A few days later, even though he received Rs. 1 crore, a wholesome amount of Rs. 2.6 crore, plus the 12 per cent interest was still pending. He said that, even though he doesn't know how much money the producers made or lost in the film, he wanted his money back plus the 12 per cent interest also, as he funded the film simply because he wanted the additional money.

On the other hand, Kishan Chaudhary, who refused to have any connection with the ongoing matters, said that he doesn't have anything to do with the bounced cheques and it was Amit Chandrra who had signed those cheques which YT Entertainment could not encash.

Priya Anand signed for Fukrey

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The name Priya Anand may not ring a bell instantly but she is the same actress who impressed one and all with her spirited performance as Sridevi's niece Radha in the recently released English Vinglish.

Now Priya, who is a popular name down South in the Tamil and Telugu film industry, has bagged yet another plum project. Priya has been signed by Excel Entertainment for a lead role in their youth-centric film Fukrey. This will be Priya's third Hindi film as she is also a part of Priyadarshan's Rangrezz.

Fukrey meanwhile is directed by Mrighdeep Singh Lamba and stars Pulkit Samrat, Richa Chadda, Manjot

Amit Kumar's tribute to his father Kishore

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Amit Kumar and his brother Sumit are just back from the US with their tribute concerts on Kishore Kumar. "We performed in Detroit and Chicago .We called the show 'Do Kishore'. We did it on a trial basis in the two American cities. Now that it has been accepted so wholeheartedly, we'll take our two 'Do Kishore' concerts to the rest of the world. We're already booked for 6 concerts in the US in April 2013. Then we'll take the concert all over India."

The 'Do Kishore' concerts are Amit Kumar's brainchild. "We first did the 'Do Kishore' charity concert with us two brothers celebrating our father's memory through his music. In Kolkata on April 12 in 1992. Sumit was only 9 years old then. Many luminaries associated with my father, like Ashok Kumar and Rajesh Khanna were present at the show."

Amit Kumar also has plans of making a film on his legendary father. "It was Bhaijaan (Mehmood) who suggested it. My brother and I had devised a skit where we both go to the moon and meet our father there. Mehmood suggested we make a film on that theme. That hasn't happened so far."

Amit and Sumit are also on the verge of starting a music company named Kumar Brothers Music. "It will be an online company. I'd be putting out my own composition for my fans online. It won't be film music, but folk songs, semi-classical numbers...One of my compositions 'Zindagi Dard' has been put out just to get a response. It's been well-received by my fans."

The online recording company attained feasibility in Amit Kumar's mind due to the progressive paucity of offline music companies. "There's no company one can take one's music to. It isn't as though I'm attempting to compete with any music company. An online music company eliminates the need for mediators like a producer or a music- company executive. It's a direct connectivity between my creativity and my listeners. I know I have an audience. There are people who love my voice."

Amit says he's done with film music. "What is there to sing in Hindi films? The greats that I worked with are dead or retired. The whole scenario has changed now. The music these days is cacophonic. I don't listen to the songs. And these item songs...so many of them and so boring! Some of today's composers claim that melody is back. Sorry, I don't hear it."

IT'S OFFICIAL! Angela Jonsson to star opposite Salman in Sher Khan

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It's finally happening for Angela Jonsson. After a nearly 2-year wait, her celluloid debut is happening. Salman Khan has not only given his final nod to Angela as his leading lady in his prestigious home production Sher Khan, director Sohail Khan has dropped the second leading lady's part, so
that the focus of attention would be completely on the lissome Ms Jonsson .
Says a source close to the project, "There were two leading ladies in the script. But now the second girl's role has been scrapped, so that Angela gets full attention."
Angela would also be required to train in some serious martial arts since her part in Sher Khan is being described as a "combination of Lara Croft and Fearless Nadia". Several elaborate action scenes are planned for the leading lady. She would be trained by a slew of international stunt-men.
All this pampering for the debutante comes with a price. Angela who has so far been in the news for her various link-ups (imaginary or otherwise) had been asked to "disappear" from public attention.
The girl is virtually under house curfew!
Says the source, "Late nights, media events, awards functions, public performances, showroom inaugurations...have all been banned for now. Angela has been asked to avoid public attention as much as possible. Salman wants her to be unveiled to the public as a complete newcomer in Sher Khan."
Says the Sher Khan director Sohail Khan, "Now there's only one girl in Sher Khan. The second role didn't shape up well enough. So we removed it from the script."

The film industry has changed for good: Waheeda Rehman

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By Entertainment  stores
Only a few, as insiders, have seen the Indian film industry truly turn 100. No one ever could have seen the whole thing actually, but Waheeda Rehman can certainly tell us a lot about it. At the upcoming Mumbai Film Festival, organised by the Mumbai Academy of Moving Image, Rehman will be presented with a Lifetime Achievement Award. Vibrant, and with childlike enthusiasm, she speaks to us at her Bandra bungalow, which is behind Galaxy Apartments where Salman Khan and his family live.
Over a cup of ginger tea, the actor goes back in time, recalling her debut and her mentor Guru Dutt, and tells us why she’s glad the
industry has changed.
Indian cinema will celebrate its centenary next year. Take us back to how it was when you first entered the industry.
At that time, very few movies were made. Everybody used to work peacefully. We weren’t in such a hurry. Even then, India was a leading producer of movies, as it is now. Though these days, too many movies are being made.
Technically, we’ve improved a lot. We’ve even started making bold subjects. In our time, there used to be one villain, a vamp, hero and heroine. These days, lead artistes are also ready to do negative roles and the audience is willing to accept them. Thirty-odd years ago, no leading man would have done what Aamir Khan did in Ghajini (2005), when he becomes a killer. These changes are good. The makers, actors and the audience… the film industry has changed for good. They are all thinking people now. Though Tamil, Telugu and Malayalam films have always been ahead of their time.
Thirty-odd years ago, no leading man would have done what Aamir Khan did in Ghajini, when he becomes a killer.
You’ve worked in some films in the south...
I began with one dance and a small role as a princess (in Jayasimha, 1955), which is nothing to talk about. But Malayalam movies have produced very bold subjects. Now the Hindi film industry has also started.
Is there any part of the film industry of old that you wish had been retained?
The feeling of a family... it’s gone. I’m not blaming anything, but actors are so busy. In our times, Vyjayanthimala, Asha Parekh and I used to do stage performances as we were classical dancers, but we didn’t perform every day. Now artistes have to be on their toes all the time.
There used to be a lot of bonding back then. Why? Because there were no good make-up rooms! They were horrible, so we’d prefer sitting on the sets, where we’d chat and discuss stories. There were no bathrooms, yet they made great movies like Mughal-E-Azam (1960). Now, after shots these days, everyone goes into their vans.
How and when did you decide you wanted to act?
Oh, that is a long story. I was 16 or 17; I used to dance for the stage. Then I did one dance in a Telugu film, which became a big hit. During the jubilee celebrations tour in Andhra Pradesh, our last stop was Hyderabad. It just so happened, that Mr Guru Dutt was there at that time. He didn’t know me and I didn’t know who he was.
He was in his office, when he noticed the crowd outside. He was sitting with his distributor, who told him, ‘There is a girl who has danced in this movie that they are celebrating. She’s become so popular, that along with the top Telugu stars, the audience keeps calling for her. Her name is Waheeda Rehman’. Guru Dutt said, ‘Waheeda Rehman sounds like a Muslim name. Does she speak Hindi?’ After he was told that I do, he asked the distributor if he could meet me. We eventually met, he spoke just a little to check whether I could speak Hindi fluently and we left.
Then three or four months after I returned to Chennai, someone told me that the gentlemen I met in Hyderabad would like me to come to Bombay for a test.
Had you decided on acting then?
I hadn’t. Ek shauq se kar liya tha, phir dar gaye (I had jumped into it as a hobby, then I got scared). But we eventually met. I didn’t know if I was capable of acting, it was him. He had the confidence and signed me on a salary basis for three movies.
Then C.I.D (1956) became a hit. I was the vamp in that one, but I was too soft looking. The audience liked me in Pyaasa (1957). It was around then Guru Dutt ji told me, ‘Those three films you will make with me in any case, but please don’t hesitate to sign any others that are independently offered to you’. He explained to me, ‘The life span of a woman’s career in the film industry is very short. It wouldn’t be fair for me to stop you. As long as you give me preference when it comes to your dates’, which I thought was very fair.
I didn’t know anyone in the industry then. He used to say, ‘If you have a problem, consult us’. Then we would say, ‘Chalo, kar lijiye’. He was very kind.
Then you took a long break in the 1990s…
I’m a very realistic person. When I got married and had children, I knew I wasn’t going to get lead roles like Kahaani or The Dirty Picture (2011) in those days. They (filmmakers) still wanted romantic films and wanted me to sing duets. At that age, even I used to feel a little uncomfortable.
The contribution of the character I play in the story is very important. I did Rang De Basanti (2006) and Delhi 6 (2009) because those roles fit the need. Rakeysh Omprakash Mehra asked with great persistence and love. Since then, I’ve decided I will wait.
We artistes are like kids and we sometimes get inspired. But it’s also very difficult nowadays. I am very happy for Sridevi. I heard English Vinglish is doing well.
Do you watch films regularly?
I watch quite a few. I liked Barfi! and I last watched OMG! Oh My God. I remember asking Paresh Rawal (actor), ‘Do you think like your character does?’ and he said ‘90 per cent’. And I said, ‘I am exactly like that!’
People like me and Paresh are born into certain religious families, but we are not practicing people. You have to be a good human being, that’s essential. And neither do artistes have a religion and nor do they belong to one community, which is why they have it in themselves to bring those who do, together.

Manish adds charm to Bebo's outfits!

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By Entertainment stores
Mumbai, Oct. 15 -- Over the last two weeks, designer Manish Malhotra has been working painstakingly on the antique Pataudi gharara that has been restored by Ritu Kumar for Kareena Kapoor's wedding, doing the final fittings and adding a touch of embroidery here and there.
He has also designed Kareena's other outfits, and made clothes for her sister Karisma and her two little daughters, which they will wear at the various wedding functions including tonight's private sit-down dinner. The nikaah and registered wedding will take place tomorrow at the Taj Mahal Hotel, Colaba.
After the roughly 15minute long ceremony, Bebo will change into a Manish Malhotra creation for the dinner. "She'll wear a elaborately embellished gharara. I have given a very old world charm to all the ghararas she'll be wearing," says Manish.
Last night, the couple's sangeet and dinner, which was held at Saif Ali Khan's Khar residence, was attended by 50 guests, including their families and friends, and close associates of Sharmila Tagore. The theme for the party was 'Indian'. On October 18, at the reception in Delhi, Kareena will wear a Manish Malhotra creation once again.

Saif-Kareena's sangeet ceremony was a gala affair!

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By Entertainment stores
Bollywood couple Saif Ali Khan and Kareena Kapoor's pre-wedding party on Sunday at Bebo's Bandra residence was a private affair with the terrace venue covered to prevent media getting a peek. Many Bollywood celebrities were spotted at the party including Neetu Singh, Babita, Sanjay Kapoor, Manish Malhotra, Soha Ali Khan, Kunal Khemu among others.
While a source says it's a sangeet ceremony, designer Manish Malhotra said: "Its just a fun party."
Kareena was wearing a traditional yellow-golden lehenga.
The marriage, to be reportedly be held on Tuesday, is planned as a quiet affair with only immediate family members from both sides being present.

Manish vs Ritu: Who's designing Kareena Kapoor's wedding outfit?

kareenakapoorsangeet.jpg

Tomorrow, after their nikaah, Saif Ali Khan and Kareena Kapoor will be husband and wife. It’s a happy occasion, but Delhi-based designer Ritu Kumar is upset. The designer was given the responsibility of restoring Saif’s grandmother’s traditional gharara for Kareena Kapoor to wear for the
ceremony. But recent reports credited Kareena’s friend, Bollywood’s leading designer Manish Malhotra, with that task. Hurt, Kumar turned to Sharmila Tagore, Saif’s mother, who phoned HT Café to set the record straight.
So who is doing finally doing Kareena’s wedding trousseau, Ritu Kumar or Manish Malhotra?
I had given Ritu my mother-in-law’s wedding gharara to be restored and embellished, and she’s been working on it for a while now. The gharara is very old. My mother-in-law wore it in 1939 and I wore it at my own nikaah. Kareena is wearing that for the wedding ceremony. As for Manish, he is a dear friend of hers and he is doing the other wedding outfits, as well as some for different functions.
We’ve heard that the gharara is too heavy and can’t be worn for a very long time.
Yes. With the kind of lavish and detailed handwork, it’s bound to be weighty. So there’s a lighter gharara being made by Ritu. Manish has also made one. Kareena will decide which one she will change into after the nikaah.
What are you wearing?
It’s a joyous occasion and it doesn’t matter what I wear. I think I will wear an old sari from my collection. Or let’s see. Please excuse me if I don’t sound excited. It’s not even been a year since my husband passed away. This is a happy occasion and everyone in the family is very excited.
How excited are your daughters Saba and Soha?
Oh, they are also quite excited about their brother’s wedding. They are all looking forward to the various functions. Incidentally, Ritu has done a few outfits for Saba and Soha as well.
Over the last two weeks, designer Manish Malhotra has been working painstakingly on the antique Pataudi gharara that has been restored by Ritu Kumar for Kareena Kapoor’s wedding, doing the final fittings and adding a touch of embroidery here and there.
He has also designed Kareena’s other outfits, and made clothes for her sister Karisma and her two little daughters, which they will wear at the various wedding functions including tonight’s private sit-down dinner. The nikaah and registered wedding will take place tomorrow at the Taj Mahal Hotel, Colaba. After the roughly 15-minute long ceremony, Bebo will change into a Manish Malhotra creation for the dinner. “She’ll wear a elaborately embellished gharara. I have given a very old world charm to all the ghararas she’ll be wearing,” says Manish.
Last night, the couple’s sangeet and dinner, which was held at Saif Ali Khan’s Khar residence, was attended by 50 guests, including their families and friends, and close associates of Sharmila Tagore. The theme for the party was ‘Indian.’
On October 18, at the reception in Delhi, Kareena will wear a Manish Malhotra creation once again.

Sunday, October 14, 2012

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2102 || Kat-Salman together again?

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MUMBAI, Oct. 6 -- There was a lot of excitement when Katrina Kaif and Salman Khan decided to come together for Ek Tha Tiger. And seeing the unprecedented success that the film achieved, it only makes sense to come together again.
Now, it's rumoured that she might star opposite Salman in Kick, since Sonakshi Sinha isn't doing the film.
But apart from that, Salman might have signed Katrina for a movie that he is set to produce.
A source reveals that the two actors are planning to come together again soon. "Salman and Katrina are presently busy with their back-to-back commitments. But after Kick and Sher Singh, Salman plans to do a film with Katrina," says the source.

2012||Kabir to make film fit for Salman Khan!





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Director Kabir Khan, who experienced unprecedented success with Ek Tha Tiger and Salman Khan, now wants to work with the star again. Though he states that it won’t be a sequel to the 2012 blockbuster, the director admits that he is working on an idea that will be fit for Salman.
“I am working on a script and it will need a big star like Salman. I am working on a couple of ideas simultaneously,” says Kabir, adding, “I enjoy working with Salman and would love to cast him again, provided there is an appropriate story that suits him. He is a huge star, so you can’t just cast him in any film.”
The director, however, does reveal that his next, too, will be a love story with high voltage action. “I still think that Ek Tha Tiger was a love story, which had more stunts than proper action films,” he says.
Kabir feels that Ek Tha Tiger would make a fantastic franchise, but maintains that the open ending in the film was intentional and there are no plans of making a sequel. “I don’t like to give a story a full stop. That’s why I designed this particular ending for Ek Tha Tiger. More so, he (Tiger) is like a legend and thanks to such an ending, his myth continues. When people see the film, the end compels them to believe that a sequel is in the offing, but we honestly don’t have any plans,” he says.

shahid Kapor


Kareena

Kareena  most beautiful sexy girl and boiiywood queen

Aowriarai

The most beautiful Indian lady.  Most hot and sexy girls .Indian bollywood queen and naked girl.

fUNNY

Bangladesh Chat

Deepika is beautiful from within: Ranbir Kapoor


 Exes in the film industry have been known to have off-screen fights, verbal duels in the media and generally stop working with each other. However, former item Deepika Padukone and Ranbir Kapoor have proved the cynics wron
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